EUPL 2021 Award Ceremony

European Union Prize for Literature looks forward to the 2021 Award Ceremony in Brussels

 

The European Union Prize for Literature (EUPL) is pleased to announce its 2021 Award Ceremony will take place on 9 November 2021. The ceremony will celebrate the thirteen national laureates of the 2021 edition. Taking place at the culture house Flagey in Brussels, Belgium, the event will be open to a limited audience, and also livestreamed on the EUPL’s Facebook channel from 7.30 p.m.

The awards will be given by Ms Mariya Gabriel, European Commissioner for Innovation, Research, Culture, Education and Youth, Dr Vasko Simoniti, Minister for Culture of the Republic of Slovenia, and Ms Sabine Verheyen MEP, Chair of the Committee on Culture and Education of the European Parliament.

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The EUPL is organised by a Consortium of associations comprising the European Writers' Council (EWC), the Federation of European Publishers (FEP), and the European and International Booksellers Federation (EIBF), with the support of the European Commission.

In anticipation of the event, Ms Nina George, President of the European Writers’ Council, said: “On behalf of the European Writers’ Council, we warmly congratulate the winners of this year's European Union Prize for Literature! We thank you for your tirelessness to observe and tell about the world. You are not only the sources of the book value chain, but your works are the sources of democracy, cultural exchange and a diverse European community. The EUPL 2021 is a special prize: it marks the beginning of a still unclear time "after". Let us enter these post-crisis years with optimism and accept the challenge to continue writing – and awarding – literature that is as diverse, surprising or unusual as possible.”

Mr Peter Kraus Vom Cleff, President of the Federation of European Publishers, commented: “This year's 13 EUPL winners showcase the incredible European diversity and literary richness in a fascinating way. And how important it is to systematically help authors so that their works find a translated place in as many European publishing houses as possible.”

Mr Jean-Luc Treutenaere, co-President of the European and International Booksellers Federation, added: “This year’s EUPL Ceremony is a very special one for all of us, but especially for our 2021 laureates. Faced with the difficult circumstances last autumn, the EUPL Consortium had to move the Ceremony online. We are now doubly pleased to be able to celebrate these outstanding literary talents and their great novels in person again and to welcome the wider European literary and cultural community to Brussels for this event. Oh behalf of the EIBF, I wish to warmly congratulate the 13 laureates for this year, and hope to soon be able to discover their novels in many languages and many bookshops around the world.”

EUPL celebrates its 2021 laureates at Award Ceremony

European Union Prize for Literature hosts its annual Award Ceremony

On Tuesday, 9 November, the European Union Prize for Literature hosted its annual Award Ceremony in Brussels. During the gala event, this year’s 13 laureates of the Prize took centre stage at Flagey culture house to showcase Europe’s best emerging fiction talents: Enkel Demi (Albania), Aram Pachyan (Armenia), Georgi Bardarov (Bulgaria), Lucie Faulerová (Czech Republic), Sigrún Pálsdóttir (Iceland), Laura Vinogradova (Latvia), Lara Calleja (Malta), Frederico Pedreira (Portugal), Dejan Tiago Stanković (Serbia), Anja Mugerli (Slovenia), Maxim Grigoriev (Sweden), Gerda Blees (Netherlands) in Amine Al Ghozzi (Tunisia).

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The ceremony attracted a large audience, and was also attended by Mariya Gabriel, Commissioner for Innovation, Research, Culture, Education and Youth, Sabine Verheyen, Chairwoman of the Committee on Culture and Education of the European Parliament, and Dr Vasko Simoniti, Minister for Culture of the Republic of Slovenia, representing the Slovenian Presidency of the Council of the EU, along with many representatives of the embassies and cultural centres in Brussels, and wider public.

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EIBF co-President Jean-Luc Treutenaere said in his speech to the laureates: “If there were no authors, there would be no publishers, no booksellers, no readers, no books, no business, no culture – end of the world as we know it. Literature is food for the mind, and we need it. We need it as we need bread and wine. Reading is not only nice /…/ it’s also a tool to open minds, spread consciousness, give access to new and different universes. Literature helps us to know and understand people. When we know each other, we don’t fear anymore. We can relate, discuss, exchange, share. We become better citizens – and better citizens make a better world.”  

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Watch again the full ceremony here

 

Photo: Gleamlight/Philippe Molitor 

New edition of EIBF Insights

Autumn edition of EIBF Insights now available

Welcome to a new edition of EIBF Insights, our quarterly newsletter dedicated to sharing news from the EIBF world and the wider bookselling industry. 

In the last edition of this year, we are exploring the impact of the Digital Markets Act on e-books and interoperability, sharing news from the October's Frankfurt Book Fair and looking at portraits of booksellers. Find out more in EIBF Insights 104. 

No Christmas without books

Booksellers, printers and publishers highlight the essential nature of books for Europe’s culture, education and economy in a joint statement

During the last 18 months, when most countries have experienced periods of confinement, books have proven their important added value in coping with loneliness, reinforcing ties between people and expanding our horizons, while stimulating our minds and creativity. Books contribute to well-being, creativity and cognitive achievements on a daily basis.

Books are essential cultural goods

Books offer an invaluable source of culture, creativity and food for the mind. They are key vehicles of knowledge preservation and dissemination and allow readers to let their imagination run free and escape into different worlds. They are essential in promoting freedom of expression, literacy and reading – the fundamental basis of a knowledge society – and foster greater democratic participation.

Books are essential to the development of local communities

Authors, publishers, printers and booksellers offer an important contribution to communities and society as a whole from the educational, cultural, and economic points of view. The book value chain is essential to provide access to literature and culture for all, thus improving reading habits across societies. 

While digital technologies have proven to be very helpful in navigating through the difficulties of the past year, print books equally played their part. Being fair and inclusive, their very existence ensures that everyone in society – even those who lack digital skills or means – has access to culture, which is now more important than ever.

Books are essential for Europe’s economy

COVID-19 prompted many different policy responses at national level, with many countries imposing movement restrictions and even full lockdowns, leaving businesses that rely on physical presence of customers in a precarious position. Booksellers, as many of their retail counterparts, were forced to close their doors for many weeks and months – resulting in drastically reduced sales numbers and a de facto knockout effect on other actors of the book chain. This compromises the profitability of the entire book value chain and puts further pressure on its, already fragile, economic situation. 

Printed books are essential to relax and disconnect

The last 18 months have drastically increased the amount of time we spend in front of screens: from daily teleworking to remote education and from online meetings to evening binge-watching. 

A recent OECD study reports that students spend more and more time online, be it for school or for entertainment. For instance, already in 2018, a Danish 15-year-old spent 45 hours per week online. Printed books are essential to disconnect and enjoy time offline. Indeed, as the OECD study reveals, young people enjoy reading more when they read in print.   

Yes to Christmas with books 

The holiday season represents an important part of the yearly revenues for many businesses, printers, publishers and booksellers included. Books are one of the favourite Christmas presents of Europeans.

FEP, Intergraf and EIBF call on European and national authorities to: 

 

  • Follow the lead of several European countries (e.g. Italy, France, Belgium) in recognising books as essential cultural goods, thus allowing bookshops to remain open 
  • Recognise the importance of reading and books in the field of culture and education
  • Recognise the proven advantages of books in enabling the development of critical thinking 
  • Recognise the important role that bookshops play in their local communities 
  • Recognise the added value of printed books as tools of inclusion

EIBF Co-President, Jean-Luc Treutenaere, notes: “The bookselling, publishing and printing sectors stand united in emphasising the essential value of books, especially during the festive season. Books are sources of culture and creativity, and bookshops play a central role in promoting reading and in building fairer and more inclusive communities. This holiday season, visit your local bookshop: there is no gift quite like a book.”

Intergraf President, Ulrich Stetter, said: “Books are a very important cultural and educational product. Reading long informational texts in print has proven to be better for understanding and retention. Books are important for learning and understanding complex facts. Europe is in a great position to have an industry composed of small and medium sized companies that are active in this sector. The Christmas season is one of the most important seasons for our companies and we need to ensure that the value chain continues to strive – especially in these difficult times.”

FEP President, Peter Kraus vom Cleff states: “At the eve of the Christmas holidays, when we all long for both some cosy rest time and sharing presents with our loved ones, books remain one of our favourite pastimes. Especially in these troubled times books allow and enable us to travel and escape with our imaginations. And paper is very well suited for these imaginary journeys, with each turning of the pages we are entering worlds of knowledge, entertainment, pleasure, and new perspectives.”

EIBF, FEP and Intergraf will jointly be working on a complete Declaration which will also deal with the importance of print books for Europe’s economy as well as for education, the excellent sustainability of our products as well as their function as a source of information and entertainment for those persons who are not able to use digital alternatives. 

EIBF calls for ambition ahead of trilogue negotiations on Digital Markets Act

Today marks the start of the trilogue negotiations on the Digital Markets Act (DMA) between the European Parliament, the Council of the EU and the European Commission

The DMA is a crucial file for the bookselling sector, as its key objective is to put an end to decades of dominance and abuse by tech giants, level the playing field for small and medium-sized enterprises, including European booksellers, and ensure sufficient consumer choice.

During December’s plenary session, MEPs in the European Parliament adopted, almost unanimously, their position on DMA. Prior to that, in November, Member States agreed on their General Approach for the DMA. 

Having followed the evolution of the DMA file in the Council, as well as in the European Parliament across several committees, and having analysed thousands of amendments, extensively engaged with many policymakers and partnered with European cultural-sector organisations, EIBF fought hard to achieve an appropriate level of ambition in both texts. 

EIBF welcomed the European Parliament’s final report, as it ensures further accountability for large online platforms and includes rules and obligations that EIBF has been advocating for years, from fair terms and conditions to rules on self-preferencing.

Regrettably, the scope on interoperability is still rather narrow, which is to the detriment of the e-book market. Nevertheless, interoperability is still high on the trilogue agenda and it remains a point to be settled among decision makers. Therefore, our work to achieve further e-book interoperability continues.

We will closely monitor the negotiations between the European Parliament, the Council of the EU and the European Commission under the French Presidency in the coming months and will continue to defend booksellers priorities for a fairer book market.

EIBF: The voice of booksellers

The European and International Booksellers Federation is excited to reveal new logo and branding, highlighting the organisation’s commitment to its members and the sector 

The European and International Booksellers Federation represents national booksellers associations in the European Union and worldwide. Through our members, we speak on behalf of more than 25,000 individual booksellers of all kinds, including independent, chains, specialised, online, and brick and mortar bookshops. 

We believe bookshops are an integral part of local communities, providing access to literature and culture, contributing to financial sustainability in their areas, and helping to improve reading outcomes for all.

At EIBF, we have a long history of representing booksellers and advocating for book-friendly policies to the benefit of readers and retailers.  We were first established in 1968 as GALC*, and we had many different identities over the years. We became EIBF in 2011, by merging two entities, European and International, Booksellers Federations together. We have had many different logos over the years, however, since 2011, the blue and yellow EIBF logo has been the core of our visual identity. 

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Increased visibility in the digital age 

Since the launch of the current EIBF logo, we have experienced many technological changes. To ensure EIBF’s continuous visibility in this digital age, we developed a new EIBF look tailored to display and be used on digital screens, as well as working well in printed form. 

Our expanded colour palette brings together the blue and yellow we have been using for the past decade, while also introducing new colours to give our visual identity further depth. 

 

The voice of booksellers

Bookselling is a core part of our identity, as is ensuring long-term sustainability of the sector. To this end, we represent our members and their interests on a global platform, before the European institutions and other international organisations. Our mission is to further the interests of the bookselling industry, by ensuring that the voices of booksellers are heard in every relevant debate. Our new visual identity will enable us to highlight this important aspect. 

“Through our numerous member and partner organisations, EIBF represents the voice of many booksellers around the world. It’s important our visual identity reflects this position. With this new change, we are confident EIBF will go from strength to strength,” said EIBF co-Presidents Fabian Paagman and Jean-Luc Treutenaere. 

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Groupement des associations de libraires de la C.E.E (Communauté économique européenne)
 

Meet the bookseller: Nic Bottomley

In the second post from the ‘Booksellers revealed’ series, get to know bookseller Nic Bottomley from Mr B's Emporium of Reading Delights

We feature a transcript of a video interview with Nic Bottomley, bookseller and co-owner of Mr B's Emporium of Reading Delights in Bath, United Kingdom, hosted by Oana Doboși and Raluca Selejan, booksellers and co-owners of La Două Bufnițe, an independent bookshop in Timișoara, Romania. 

The video was originally published on 25 October 2020 on La Două Bufnițe’s YouTube channel.

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Raluca Selejan: We’re here today with Nic Bottomley, co-owner of Mr B’s Emporium of Reading Delights, a place to discover and talk about books, from Bath, UK. Thank you, Nic, for being here with us today.

Nic Bottomley: You’re welcome.

Raluca Selejan: For the beginning of our discussion, can you tell the people that are watching us how did you decide to open an independent bookshop? How did you take this decision, was it an impulse or was it something you’ve always wanted? 

Nic Bottomley: So, it wasn’t! But it was something in between those two things, I guess. It wasn’t something we always wanted to do, but we, my wife Julia and I, realized that the jobs we were doing – we were lawyers – were definitely not what we always wanted to do. We started thinking about what would be a better way to spend the time. You know, you spend at least five sevenths of your life working. Or, as any bookseller will tell you, this is more like seven sevenths of your life working. We decided that we better do that around something that we love. So, we were toying around with ‘What could we spend our time with?’. 

We both loved books, we haven’t really thought about retail, and we haven’t really thought about bookselling, but we both loved books. We had a romanticized idea of it, I guess. And then we were on holiday, on our honeymoon actually, and we went to The Elliot Bay Book Company in Seattle. I always credit them with the kind of spark that got us started with the bookshop idea, and we just sort of said ‘Hey, you know, what about a bookshop like that?’.  

Independent bookshops like that could really do well in the UK and could work well. We didn’t know of any – there were some – but didn’t know of many ourselves. What if you had a bookshop modelled on service? That’s what really got us thinking about it. From then on, we researched and we ploughed in. But yeah, the spark was just seeing another great independent bookshop and thinking ‘Hey, this would be a good way to build a career and spend a life’.

Raluca Selejan: What do you think of this romantic image of a bookseller that reads all day, meets interesting and fascinating people and authors each day and has all the time in the world, which he spends smiling and dreaming and reading and writing? Do you think it’s good to keep this image alive for the readers and customers or it’s better to be honest, as you are in your books also, and crush that dream? 

Nic Bottomley: I think it’s really important that customers know how hard we all work to deliver the kind of really good service that we do. Not because we want any thanks from the customer, but because we appreciate their repeat business. We appreciate it when they buy from us and not from Amazon or something similar. We’re putting in a lot of work and it is based around a passion for books. I think it’s important. 

I do not want my customers ever to see us or think that we would have time to kickback and read, you know, because that would mean we’ve done everything we could already in terms of shouting about books to them and making the shop beautiful and answering their many emails and phone calls. That’s what we need to be spending our time doing, and not using our worktime for reading books. But, it’s very important as well that bookshops are run by people who do love books and who still pick up books and read in any spare time they have and have a genuine passion for it. That is what makes us different from car salesmen and saleswomen, because we love our product. But reading books, in that kind of old fashion way, where someone is waiting for a customer and just sitting there reading, I think that in the 21st century is not possible. Customers would never come, if you are just sitting there, reading and waiting for them. 

But what we do like to do is talk about books. The other side is, if any of our team of booksellers are with a costumer, then there is nothing I’d rather they were doing than talk about books: it doesn’t have to be selling, it’s just talking about books and that’s great because that’s what we are about. You know as you said when you introduced us, the tagline on our website is something around being a place for conversation about books, that’s what it’s all about. And same if it’s two members of staff just having a chat about what they just read, that’s all great, it all feeds this world where we can recommend things to all our customers.

Raluca Selejan: Mr B’s Emporium of Reading Delights first opened in June 2006 at a time when many bookshops were folding under the pressure from online competition. Tell us about the shop and about how you always talk about books… You do a lot of things and events and as booksellers and as an independent bookshop from Romania, we’re always looking up to what you’re doing. How do you do all the things now during the pandemic?   

Nic Bottomley: Sure! Well thank you for the kind words and hopefully one day I’m going to make it over to see your shop as well, we are equally excited to see it and spend time in it. I love what you guys are doing. 

We do a few things differently and I talked about conversations about books. So certainly compared to a lot of shops in the UK, in to our shop everybody is given a chance to receive a recommendation, to have a conversation. They don’t have to, if they want to browse for themselves, that’s fine. But, like, just before you rang, I popped in on the shop floor and there were a lot of conversations going on with customers. That goes on in all the best independent bookshops around the world, I think, but still, even some of the very best independents, they don’t do it enough. Sometimes they don’t have that constant buzz around books that I think is absolutely crucial. 

A more formal thing with our reading spa gift, which we do, which is where people can book in one-on-one sessions. It’s a gift people buy and it includes a voucher to spend on books. And they book in time to spend time with one of the booksellers, talking about what they like reading, talking about what they don’t like reading, and receiving a lot of recommendations. It takes an hour, hour and a half in normal times. And they’re so popular, they get booked up so far in advance, and it’s a big part of what we do. 

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We also then do this reading subscription. Everything is geared towards matching the right book to the right costumer, matching people to books, you know, in as kind of a forensic way as possible, because anyone can sell someone a book, but if you sell them the right book, that’s what will get them coming back again and again. The right books for them, as you know everybody likes different things. 

Our approach with events is that we only host events with authors where again we are passionate about their work. We don’t take on just any events, but we limit ourselves to where we’ve got a real passion for an author’s work and their writing. What we like is for there to be a dialogue, rather than an event where the author is just sort of up and doing their own thing.

As for 2020, I mean, where do you start with 2020. There’s definitely no events of course. We have done a few online events, and we’ve done author interviews, you know, in a kind of similar way to what we’re doing now. We’ve done informal chats with writers throughout lockdown on YouTube. I think we all as an industry have to be quite patient, the events are great, they have served a purpose, they’re particularly good when people can’t go out, but really, I can’t wait to be able to have people back in the same room as the writer, that’s where people really get the buzz from. I think we’re kidding ourselves if we think that it’s not just… It’s filling time, the online events. We’re not seeing a huge demand for customers right now to spend their evenings on Zoom and YouTube and all this stuff, as well as their days, if they’ve been working that way. So we do not see a huge demand for it. 

We’ll do them again where it makes sense, but won’t it be great just to be able just to get a glass of wine in a lot of people’s hand and get them back in a room with a writer? Because we’re definitely looking forward to that already.

Raluca Selejan: So are we. What happened for you and for your bookshop during the lockdown that gave you hope in this business and in people? And how can we defend our businesses from online giants and from the online environment that now with the pandemic and lockdowns gain more customers and more income? What about us the bricks and mortars stores?

Nic Bottomley: I kind of look at it from both our point of view and all the other booksellers I chat to. People did different things here in the UK. We all have to close up physical shops. Some people chose to step back completely. We carried on running our business from kitchen tables, you know, communicating with people through our website, through phones, through e-mail. Some person coming into their closed shop and sending out some books here and there, you know… We did just whatever we could and kept things going. 

So the first thing… We saw a huge appetite from costumers, bigger than ever appetite, to have advice. Whether it was people wanting to understand the pandemic or, more usually, it was people wanting escape; escape through books, or happiness, or just wanting to read books – but as their comfort books, you know, whatever that might be, whatever subject or type. So we saw a lot of that, that’s a thing of hope that people reached out to booksellers as experts, you know, I saw that happening.

So, yeah. I was going to say that you’re right, the big online retailer, Amazon, will have profited enormously, bigger than ever, from this pandemic. But I think it’s also, I don’t know how it has been in Romania, but here it has been a push to help bookshops. Think about how they can reach people through their websites. Of course, no one is going to go build something like Amazon have, of course we don’t want to become online booksellers, you know, it’s much more fun to do the bricks and mortar, to have that connection. But I think we’ve probably all have been forced into a better understanding of how you link the online connection with your costumers and the physical. So, you know, I know lots of booksellers who never got round to having transactional website, who’ve hastily got something together. We did that a few years ago, we tried to make it a reflection of our shop and for us obviously that worked really well. But there are lots of shop who hadn’t got round to it, have managed to find a way and they’re creating new costumers further afield from them. So, they’re building something for the future, you know, a broader range of people within that field, not just the people of their town. I think that’s good, we’re all widening our market.

I’ve never been one for thinking about what’s going on with Amazon, and with their business. Because we know that they will do all that they can… It’s more about what we do ourselves and how we’re confident in what we can do, and what we can do to provide the very best level of service and I think we’ve learned something about new ways to give great costumer service, you know. Whether it’s hand delivering to people who can’t go out because they’re vulnerable, whether it’s speaking to people through websites as well as through telephones as through email you know, we’ve got all these different ways. I think that’s valuable. 

Every movement has a counter-movement, and can you imagine what one day, when we actually feel confident again, and it won’t happen overnight, to gather around without masks, without whatever restrictions are in place, can you imagine the pent-up desire to go hang out in bookshops as groups of people? It’ll come back and the way I see it, I’m more worried about the state of our high streets generally, and whether there are going to be a lot of gaps on a high street. I think that bookshops are going to be crucial, are going to be one of the things… Everyone is thinking ‘What have I missed?’, and I think they’ve missed bookshops, that’s what our customers say, they’ve missed it when they’ve not been able to go in and for three months, you know, they weren’t able to go in at all. Yeah, so I don’t know, maybe that’s too much hope and it’s not right around the corner.

Raluca Selejan: No, I don’t think it’s too much hope. It’s what they saw also here when we were closed, people are writing to us exactly the same thing, that they miss the bookshops and coming in. And after all these years, after this year, after all these years of owning Mr B’s Emporium of Reading Delights, after the process of running a bookshop, after the people you’ve met, after the relationships you’ve formed along the way with your colleagues and with your customers, is there something you would have done differently in running it these years?

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Nic Bottomley: That’s a good question. That’s a difficult question, it’s always more difficult to think about the things you didn’t do, then all the great stuff you’ve done (laughs). What would I have done differently? I think… We planned to set up a bookshop that was based around service and based around our love of books. Whenever we thought of something that we wanted to do, we’ve tended to do it or have a go at doing it. 

So, if I think about what would I’ve done differently, maybe all I’ve to say is I would have maybe… There are certain things, like last year, we expanded the space so we have a much bigger kids’ room and that’s really great and I would love to have been in a position to do that five years earlier. But you know, money and space, and time, are the things that we all lack at different degrees. Well, I don’t know, my American bookselling friends don’t lack space, they always have incredible space. But universally all independent bookshops lack time and money, and so I guess it’s more about what else could we have done if we’d had more time to push things through. I guess we would have pushed through getting youngsters in by having a more magical space even sooner that we managed to get it all organized. 

I’d love to be able to have more people in an event within the walls of the shop, you know, but that’s not possible with the property. So it’s also the specific little things. I don’t regret at all the approach we’ve taken and the way we’ve kind of organically built the business. A lot of people at various points have asked us if we are going to have more bookshops and that’s a route we could have taken but on a personal level I don’t regret that because after setting up the bookshop, Juliet and I, we were also raising three kids. It wasn’t the right time for us then. I won’t rule it out ever, but it would have to be for, you know, I don’t know. It’s more likely to be a collaboration or something, if some opportunity came up. 

That’s just where a bookshop was needed by a place than… It’s always been about, for us, building up this place. I guess I would have done the things I mentioned about the subscriptions and all of those things. You know, that has worked really well for us and maybe we should have started all that even earlier than we did. So it’s more about what you prioritize along the way, what you learn from it. I mean don’t get me wrong, along the way, they’ve been all sort of idiotic decisions as well, small ones. I’m not saying that (laughter). But I’m assuming you mean the big picture, you know.

Raluca Selejan: Yes. 

Nic Bottomley: I mean I’m in… Some of the shelves behind will represent bad buying decisions, so you know (laughter). You don’t have to look too far for that.

Raluca Selejan: So what would you say to someone who thinks that going into the book business by opening a shop or by getting a job at a bookshop? What is your advice to them?

Nic Bottomley: I think treat it as a career, it is a career, it can be a great career and you can do so much with bookselling. It’s so much different from other… Not all forms of retail, I’m not putting down retail. But it is not many areas of retail where the product range… you might add 500 new lines to a product range every month potentially, you know. That’s quite unusual and so, but also there’s just so many possibilities and so many ways you can communicate book advice and recommendations of so many displays, things you can do, there is so much creativity in this industry. If you think about doing it, if you think about ‘hey, this could be something’ you know, there is all sorts of opportunities, all sorts of strange things… 

And the other thing is, I’d say to them, you know as you and I know, they would be thinking about entering the most, I truly believe, the most collaborative industry that there is. You know, it’s so interesting to spend time talking to booksellers from different countries. We’re lucky enough to get the chance to realize that that’s a big opportunity and to make sure that we do that a few times a year in normal world. And you can get so much from it and same here within the UK. I think that’s really rare because it is in the independent booksellers a kind of a united front and they kind of rarely, they rarely compete in a true sort of geographic sense for the same business. So really, they’re presenting… They’re effectively like a team, you know, against the world and on behalf of book lovers everywhere.

Raluca Selejan: Jorge Carrion writes in his book, Bookshops, that a bookshop can regenerate the social and economic fabric of an area, because it represents the present and because they represent the change. What do you think is the role of bookshops in their local community?

Nic Bottomley: Yeah, I mean like I said I think the high streets are going to end up after this pandemic full of gaps unfortunately, and I think bookshops can really be keystones in that recovery, I really think that. I think that they will be one of the most sought after tenants, you know, provided they’ve made it worked out a way to make it through this. So that’s the first thing, they got a kind of crucial role in the business community and to help that rebuild of the high streets. 

But more generally, you know, I talked about the career thing, booksellers are regarded by costumers as they’re almost like a semi-professional ring.  I don’t know what it’s like in your place, but I bet you get asked everything about ‘Where do I buy this from? Where do I buy that from?’, you know, seems like a bookseller is going to know the answer to that. So, it’s this connection with all those other local businesses, you know. When we’re doing our readings spas, we make sure we get cake from a local independent guy who makes cakes. 

We run events with all those other local organizations, we support local authors, support local illustrators, you know, use local people to look after the building, the fabric of the shop, you know, it’s about how you conduct yourself and your part in the ecosystem working with all these different people and organizations and spending your money in wherever you can supporting other hard-working independent business owners, that’s part of it. And I think in normal times events are usually a big part of it, events and book clubs and that kind of thing, that’s a bookshop’s most obvious route to bringing people together around books and that’s a really important community thing and it can help with loneliness for a lot of people and that’s a big issue I think in 2020 for a large chunks of the community.

Raluca Selejan: Nic Bottomley is Executive Chair of the BA Group. He took up the role of Executive Chair in June 2020 following the end of his turn as BA President in March 2020, and he will be focusing on internal governance and group strategy, and will be sitting on BA Group, BA Divisional, Book Tokens, and the Batch boards. 

And because you’re in that position and that’s something we always admire that as an independent bookseller you have such a big and important role in the BA, what do you think about us, the independent booksellers? Are we a dying breed? And how do you see the future of independent bookshops?

Nic Bottomley: We’re not a dying breed, you know I’m going to say that, but we’re definitely not a dying breed.

Raluca Selejan: We don’t believe it, but a lot of people are saying this.

Nic Bottomley: Yeah, I know. But I mean and nationally here in the UK and for lots of other countries around the world where I talked to booksellers, I think we’re far from it. I think we’re more alive and kicking now than we were 10 years ago or 15 years ago. Because, maybe that image that you kind of painted at the beginning of the bookseller who sits and reads books and, you know, dreams a little waiting for someone to come buy a book from him, that image is dead and it’s rightly dead. And people who are running bookshops now are highly professional, understand business or try to, we try to, and you know, I’m thinking hard about this stuff, about collaboration, about what our industry needs in term technology to support our physical shops, you know. We’re not taking orders on scraps of paper just because we’re a physical shop, you know, they’re highly digitized actually even the bricks and mortar businesses. Plus, we understand costumer service on an entirely different level to organizations like Amazon. Our collective ability to understand what impact our customer service represents should not be underestimated. It is a hugely talented and creative pool of people that are running the bookshops of Britain, Europe and beyond now. So I’m very confident that bookshops will remain. 

And that’s even a side from the fact that we also have a much better and deeper relationship I think with the people who make the books, whether that’s the writers, the authors, even the people… You know, we spend a lot of time for the booksellers’ association talking to people who get the books from the publishers to us, you know, the distributors. We understand things about the supply chain in a far deeper way so that we’re making sure everything can run smoothly. And I think having deepened all that understanding and having… We’re just far better equipped to survive and to thrive and I really think there’s no doubt whatsoever the independent bookshops… they’re here to stay. 

And we’re helped in that because they’re so many great books being written, we don’t forget it is actually all about the books, as well otherwise it’s all about the costumers, but it’s all about the books and publishers are doing a great job as well. You know for a couple of years it looked rocky there when the eBooks first came out and then all the publishers got a little distracted maybe… But then there was this counter-movement, because there is always a counter-movement to make books more beautiful than ever, more interesting than ever and costumers still want physical books as well as digital. 

So, it’s all fine in terms of the customer demand and the ability of bookshops to survive. But hey, the other thing is, last thing on it, we’re also the most resilient species out there, right? There are other areas to retail that are just learning that stuff now, but for 24 years booksellers have been competing with Amazon. We’ve had a few recessions, we’ve all as a society had the pandemic, booksellers were frankly in a far better place than some other industries when it’s come to the pandemic, so we’ve not had the worst of it there. But yeah we’ve had recessions, we’ve had the rise of the eBook, we’ve had huge expansions of chain bookshops, we’ve had the rise of Amazon and somehow, bookshops as a whole are still standing so I recon it will all continue for a long time to come.

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EIBF Co-President Fabian Paagman to participate in a conference on the future of books in Europe

Paagman

 

The event is organized within the scope of the French presidency of the Council of the European Union

On Thursday, 24 February, book sector experts are coming together for a virtual event, discussing the challenges and opportunities for the industry in the upcoming months. Organised by the French Presidency of the EU Council, the event will consist of the five roundtables, focusing on the future of books and reading in Europe.

The EIBF Co-President Fabian Paagman will participate in a panel spotlighting how to build a Europe of bookshops. The panel’s speakers also include Isabelle Lemarchand, bookseller and president of the Association Internationale des Libraires Francophones, Jesús Trueba (ESP), bookseller and head of technological development of Todos tus libros, e-commerce platform of the Spanish Confederation of Booksellers' Unions and Associations, and Alexandra Geese (GER), Member of the European Parliament from the Green Group. The discussion will be moderated by Nicole Vulser, journalist at Le Monde.

 The other conference panels will feature a talk on digital books publishing as part of the preparation for the implementation of the accessibility directive, and a discussion on the freedom of expression in the context of writing, publishing and bringing books to their readers. The remaining roundtables will focus on the topic of translation and multilingualism in relation to Europe’s cultural diversity and on the role of libraries in securing sustainable development.

 

A personal perspective on bookselling and reading in Africa

In a guest blog post, Lily Nyariki, bookseller and a Focal Point On Book And Learning Materials at ADEA, shares her experience on bookselling and reading in Africa 

 

It is said that ‘a bookstore is one of the last pieces of evidence we have that people are still thinking’ – Jerry Seinfield 

It is also said that ‘the more that you read, the more things you will know. The more that you know, the more places you will go’ – Dr. Seuss

Further it has been said that ‘reading is a passport to countless adventures’ – Mary Pope Osborne

Benjamin Franklin also said this ‘an investment in knowledge pays the best interest’

 

This sums up my relationship with books for the last 40 years. After training as a librarian in the 1980’s, I fell in love with books and have over the years been involved in the book world in multiple roles. 14 years were spent in the Kenya National Library Services Board, where I worked for the most part as the acquisition librarian. This is how I got introduced to the book world and by extension to book development. Book development looks at the overall development of the book chain that begins with the author, publisher, printer, bookseller, librarian, archivist and readers. At the centre of all these actors is the government whose role is to provide a conducive environment through incentives, tax regimes, copyright laws, purchasing and book and reading policy formulation and regulation.

 

lily
(c) Lily Nyariki

 

In 1995, I joined Moi University as the bookshop manager and was thus thrown into the bookselling space. To date I continue to be a bookseller, now with my own outfit – Afrireads Book Company Ltd trading as Afrireads Bookshop in Eldoret Town. I love bookselling because it keeps me closely tied up with books and reading, while also making some income after retiring from Moi University in June 2020. 

afrireads

I have been the ADEA Focal Point on Books and Reading Materials since 1997, and in this role I have interacted with all stakeholders in many African countries and what is interesting to note is that whereas most of the developed world reads as a habit, Africans have not yet woken up to the importance of reading culture as a habit and having systems that enable easy access to books for leisure and knowledge acquisition. It is our contention that Africa is missing out and hence the need for all African countries to formulate and implement their book and reading policies which will ensure purposeful development of their book sectors which will go a long way into supporting educational quality and national development.

Africans must embrace a reading culture as a matter of priority because reading is a foundational skill which ensures literacy development and poverty eradication through personal development and lifelong learning opportunities. Unfortunately, in my interaction with most African countries, bookselling remains the weakest link in the book chain. So, the question as to whether Africa can be made into a reading continent remains a pipe dream, unless there is a deliberate effort to have booksellers across Africa mainstreamed and allowed to participate as equal members of the book chain. Without bookshops especially in the rural areas, the Africa Union Commission Agenda 2063 will remain an illusion.

European Union Prize for Literature announces the 2022 nominees

The European Union Prize for Literature (EUPL) recognises emerging fiction writers from the European Union and beyond. Engaging the 41 countries participating in the Creative Europe programme of the European Union, the Prize celebrates 41 outstanding new literary talents across a cycle of three years. Spotlighting the creativity and the immense and diverse wealth of Europe’s contemporary literature in the field of fiction, EUPL aims to promote the circulation of literature within Europe and encourage greater interest in non-national literary works. Fourteen authors from fourteen countries participate in the 2022 edition. 

The 2022 edition is a special one for EUPL, introducing a change in the organisation of the Prize: instead of awarding one laureate in each of the participating countries, a seven member European jury will for the first-time award one overall winner for this edition, together with recognising five special mentions. 

fb-eupl-nominees

We are proud to reveal the list of 14 national nominees for EUPL 2022, one for each participating country. The authors and their novels were nominated by national entities, knowledgeable about the literary scene in their countries and used to promoting their own literature abroad. 

The EUPL remains committed to celebrating diverse literature and cultures, which is especially important in these uncertain times. The EUPL consortium is honoured to be able to include a nomination from Ukraine on the 2022 list. We stand in solidarity with Ukraine and, in particular, with Ukrainian writers, translators, publishers, booksellers and librarians. Four years ago, the EUPL had a first Ukrainian laureate, Haska Shyyan, and in 2022, the Ukrainian Book Institute has nominated Eugenia Kuznetsova as the best emerging fiction voice in the country. Together with the book community across the world, the EUPL consortium condemns the Russian attacks and calls for the restoration of peace in Ukraine. 

We are pleased to announce this year’s fourteen nominees: 

  • Austria: Peter Karoshi, Zu den Elefanten (The elephants), Publisher: Leykam Verlag
  • Bosnia and Herzegovina: Slađana Nina Perković, U Jarku (In the ditch), Publisher: Imprimatur
  • Belgium: Gaea Schoeters, Trofee (Trophy), Publisher: Uitgeverij Querido
  • Georgia: ივა ფეზუაშვილი (Iva Pezuashvili), ბუნკერი (A garbage chute), Publisher: ინტელექტი (Intellect)
  • Greece: Τάκης Καμπύλης (Takis Kampylis), Γενικά Συμπτώματα (Generla Symptoms), Publisher: ΚΑΣΤΑΝΙΩΤΗΣ (Kastaniotis)
  • Ireland: Tadhg Mac Dhonnagain, Madame Lazare, Publisher: Futa Fata
  • Italy: Daniele Mencarelli, Sempre tornare (Always return), Publisher: Mondadori
  • Lithuania: Tomas Vaiseta, Ch., Publisher: Baltos lankos 
  • North Macedonia: Владимир Јанковски (Vladimir Jankovski), Скриени желби, немирни патувања (Hidden Desires, Restless Travels), Publisher: Антолог (Anthology)
  • Norway: Kjersti Anfinnsen, Øyeblikk for evigheten (Moments for eternity), Publisher: Kolon forlag
  • Romania: Raluca Nagy, Teo de la 16 la 18 (Cléo from 5 to 7), Publisher: Nemira
  • Slovakia: Richard Pupala, Ženy aj muži, zvieratá (Women and men, animals), Publisher: Lindeni
  • Spain: Jacobo Bergareche, Los días perfectos (Perfect days), Publisher: Libros del Asteroide
  • Ukraine: Євгенія Кузнєцова (Eugenia Kuznetsova), Спитайте Мієчку (Ask Miyechka), Publisher: Видавництво Старого Лева (Old Lion Publishing House)

The EUPL 2022 winner will be announced on 21 April, during the opening ceremony at the Paris Book Fair. All nominated authors will be continuously promoted on a European stage, aiming to reach a wider and international audience, as well as connect with readers beyond their national and linguistic borders. 

The EUPL is organised by a Consortium of associations comprising the Federation of European Publishers (FEP) and the European and International Booksellers Federation (EIBF), with the support of the European Commission.